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Enchanted Expeditions

Follow the Trails of Traditional Crafts and Modern Art in Ecuador

Ecuador’s wide variety of landscapes, its pre-Colombian cultural heritage and, most importantly, its assortment of people from different ethnic groups, make the country a fascinating treasure to be explored. Discover it, by following the trails of human beings’ first artistic creations and contemporary expression of art and crafts.

The earliest fragments of pottery found in Ecuador are 6900 years old. Throughout history, coastal, highland and Amazon cultures have come and gone, leaving their traces and telling their history through their crafts. Objects of both daily and sacred use continue to be made even today using traditional techniques. The varying shapes and designs are symbols of their evolving cultures and of their mystical and cosmic view of life.

Enchanted Expeditions offers a 13 day trip that features the artistic traditions in Ecuador. The trip takes us first to the Northern highlands and the province of Imbabura. Then we drive Southward passing by green mountains, patch worked with corn fields, and the stark majestic snow capped volcanoes that reach out to the crystal sky. We visit the Cotopaxi volcano and Quilotoa crater lake area and finally arrive in Cuenca; a beautiful colonial city known as a crafts and arts centre, both traditional and modern. In Cuenca we will be welcomed into the homes and workshops of artisan families who are pleased to share their skills and experience with us. While in the countryside we will become acquainted with the shapes, designs and techniques of Indian traditions. In Quito and Cuenca we will have the opportunity to discuss and exchange ideas and insight face to face with Ecuadorian artists as they show us their personal interpretation of traditional motifs in modern art. The towns we visit also give us the opportunity to relax, stroll through the cobbled streets of their colonial centres and visit some of the local museums. The pleasure of urban nightlife will add to our trip.

 

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